Staying up for Days in the Chelsea Hotel

Saturday, November 13th, 2010

chelseaI’ve never stayed at the famed Chelsea Hotel, where many artists, poets, and musicians have lived, including Allen Ginsberg, Patti Smith, Harry Smith, and, of course, Bob Dylan.

In fact last weekend may have been the very first time I even saw it from the outside.  I immediately walked inside and booked a reservation for a few nights beginning tomorrow (Sunday, Nov 13), as I need to be in New York City anyway on Monday night.

Needless to say, I’m very excited about my trip to New York and my stay at the Chelsea. I don’t plan to do much more while I’m there than soak in the atmosphere inside the hotel and outside in the immediate neighborhood, which I’ve never really explored (my travels simply have never led me to that part of Manhattan).

I’m bringing my camera and laptop, of course, and I hope to post regular updates and photos in the form of this Chelsea Hotel diary.

If you are in New York City and are going to be around, please let me know, and maybe we can hang out there together and talk Dylan.

Seth Rogovoy to Play Rock Hits at Lion’s Den, Wed Oct. 20

Tuesday, October 12th, 2010

Seth Rogovoy [Framed and shot by Ogden Gigli] (Stockbridge, Mass.) – Seth Rogovoy and the Grove Street Band will make its debut performance at the Lion’s Den at The Red Lion Inn, performing a program of rock standards, on Wednesday, October 20, at 8 pm.

Singer-guitarist Seth Rogovoy, best known as the editor-in-chief of Berkshire Living magazine and the author of two books about music, is a longtime music critic, having contributed columns and reviews to the Berkshire Eagle for 16 years and as a four-time honoree for music criticism for his Berkshire Living column, “The Beat Goes On,” by the National City and Regional Magazine Association.

But outside of a few rare appearances in Bob Dylan tribute concerts, Rogovoy isn’t known as a performer. In fact, before he was a music critic, Rogovoy spent a number of years as a coffeehouse singer in places much like the Lion’s Den, throughout high school, college, in New York City, and in Jerusalem.

“Once I began reviewing music professionally as my main work activity, I thought it best to put aside my career – such as it was – as a performer,” says Rogovoy, who lives in Great Barrington, Mass. “It’s been great fun getting back in touch with that side of me. I hope it’s almost as much fun for the audience.”

To keep it in the spirit of fun, Rogovoy plans a program of well-known favorites he terms “The Great Anglo-American Songbook 2.0” by classic rock songwriters including George Harrison, Warren Zevon, Bruce Springsteen, Cat Stevens, Robbie Robertson, David Byrne, and, of course, Bob Dylan.

Accompanying Rogovoy will be singer/multi-instrumentalist Rob Sanzone, a frequent Lion’s Den performer, and Willie Watkins, a senior at Monument Mountain Regional High School, on drums. In real life, Watkins is Rogovoy’s son.

Lion’s Den Manager Debby Totillo is delighted to put Rogovoy in the spotlight for a change. “Many of us look to Seth for his thoughtful commentary on music. It will be a treat for us to see and hear, firsthand, what inspires him.”

The Lion’s Den pub, located downstairs at The Red Lion Inn in Stockbridge, Massachusetts, offers entertainment seven nights a week; there is never a cover charge.

Offering everything from acoustic folk to R&B, and reggae to the blues, the Lion’s Den features regular appearances by local longtimes performers, including David Grover, the Sun Mountain Fiddler, and the Housatonic Philharmonic, along with up-and-coming talent.

Some nationally recognized performers have been known to grace the humble pub’s stage from time to time – James Taylor, Lauren Ambrose and Roger Salloom among them.

The Lion’s Den pub is open nightly with entertainment from 9 p.m. to midnight Friday and Saturday and entertainment from 8 p.m. to 11 p.m. Sunday through Thursday.

Bob Dylan’s Hometown Synagogue for Sale

Monday, October 11th, 2010
The former Agudath Achim Synagogue in Hibbing, Minn., where Bob Dylan became bar mitzvah.

The former Agudath Achim Synagogue in Hibbing, Minn., where Bob Dylan became bar mitzvah.

According to the Duluth News Tribune, the building that formerly housed Agudath Achim Synagogue, at 2320 W. Second St., in Hibbing, Minn., the Orthodox shul where the Zimmerman family worshipped and where 13-year-old Bobby Zimmerman marked his religious coming of age by chanting the haftarah when he became bar mitzvah, is up for sale.

The white building with four golden stained-glass windows and a three-color circle with the Star of David at the south peak is listed for sale on the website Craigslist and is being shown by Perella & Associates as a possible single-family home or duplex, and the asking price is $119,000.

Dylan’s Never Ending Tour Pauses for Days of Awe

Saturday, September 4th, 2010

Bob Dylan’s “Never Ending Tour,” which has been barnstorming its way through the Midwest, will go on hiatus for the next few weeks, the time period when observant Jews traditionally dial back if not completely cease working and turn their thoughts to the sorts of spiritual concerns Dylan sings about in numbers like “Tryin’ to Get to Heaven” and “Not Dark Yet,” two songs from his Grammy Award-winning comeback album, Time Out of Mind (1997), that resonate with imagery drawn from Yom Kippur, the Day of Atonement.

As per the Jewish calendar, this year Rosh Hashanah — the Jewish New Year, the day that officially begins the Days of Awe — commences on the evening of September 8. Yom Kippur is a 25-hour fast day that begins at sundown on September 17.

Dylan’s tour closes down tonight, Sept. 4, and doesn’t resume until October 6, after the time in which Jews traditionally complete the spiritual process of teshuvah, for which there is no good single-word English translation, but which includes a stock-taking of one’s life, an accounting with G-d of one’s deeds, repentance and forgiveness, and a rededication to living one’s life according to Halacha, the spiritual path or way provided by the legal and ethical teachings of Judaism.

As I point out in my book, BOB DYLAN: Prophet Mystic Poet, in recent years, Dylan has been spotted annually at Yom Kippur services – typically at whatever Chabad (an Orthodox Hasidic sect) synagogue he finds himself nearest to as he constantly tours the country. A few years ago, at Congregation Adath Israel, in St. Paul, Minnesota, he is said to have received the third aliyah to the Torah – an honor providing an individual blessing – and to have returned in the evening for the concluding Neilah service, whose central imagery is of a penitent standing at a gate or doorway entreating G-d’s mercy to be written into the Book of Life before the doors are shut and barred, an experience Dylan put into song on Time Out of Mind’s “Tryin’ to Get to Heaven”:

Now you can seal up the book and not write anymore
I’ve been walking that lonesome valley
Trying to get to heaven before they close the door.


In “Not Dark Yet,” the narrator stands before the Lord beseeching his forgiveness one last time before the sun goes down. He sets the scene of the Yom Kippur prayer service in the song’s first line, “Shadows are falling and I’ve been here all day” – since everything is basically forbidden (eating, study, idle chatter), all that’s really left to do on Yom Kippur is to pray, to achieve that state of mystical union with G-d by putting oneself through the spiritual ringer. Or as Dylan has it:

It’s too hot to sleep time is running away
Feel like my soul has turned into steel…

It’s not dark yet, but it’s getting there.

After describing a life that has led to his “sense of humanity … gone down the drain,” where “behind every beautiful thing there’s been some kind of pain,” in the first line of the final verse, the narrator reconciles himself to a life that is, after all, fundamentally not one of our own choosing: “I was born here and I’ll die here against my will,” he sings. The phrase recalls Judah HaNasi’s redaction of Biblical wisdom gathered in the Mishnah around the year 200 CE, where it is written, “Against your will you were born, against your will you die” [Mishnah 4:29].
The connection to the Yom Kippur liturgy is in the line that follows, “And the living are destined to be judged.” The adage has come down to us part of the Pirkei Avot, the “Sayings [or Ethics] of the Fathers,” which are contained in every traditional prayerbook as part of the Sabbath ritual, to be studied on Saturday afternoons for the period between Passover and Rosh Hashanah.

The singer concludes with a vivid description of the final moments of the Neilah service:

I know it looks like I’m moving, but I’m standing still
Every nerve in my body is so vacant and numb
I can’t even remember what it was I came here to get away from
Don’t even hear a murmur of a prayer
It’s not dark yet, but it’s getting there.

Thanks to Bob Dylan Examiner‘s Harold Lepidus for inspiring this blogpost. Read Harold’s posting about the timing of ticket sales for the NeverEnding Tour.

Sean Wilentz defends Dylan against Joni Mitchell’s purported charges of ‘plagiarism’

Saturday, May 1st, 2010

While Joni Mitchell’s comments were probably misunderstood, overstated

just to be provocative, or taken out of context, Sean Wilentz does a great job putting into context the simmering controversy over Bob Dylan’s sampling of previously existing lyrical and musical material.